![]() ![]() ![]() ![]() ![]() After going to a video store and renting “all these Leone films,” DeWitt, who before that had “hated any Clint Eastwood movie” or “any movies where people got beaten up or killed,” suddenly had a revelation - “that moment where something I’d started out hating suddenly had me saying, ‘Oh, my God, this is absolutely amazing.’ ” Which is what my wife and I said to each other after our first experience of Leone. There she recalls watching her ex-husband argue with a fellow academic at Oxford about Sergio Leone, whose films For a Few Dollars More and The Good, the Bad, and the Ugly became a passion for me at a time when most “serious” film people were dismissing the director as a maker of Spaghetti Westerns. After being alerted to it by a friend, my wife introduced me to The Last Samurai, which I’d have read even without her recommendation had I seen a September 2022 interview with Helen DeWitt on. You could say that I met Helen DeWitt, the person, in the prologue to her novel The Last Samurai (New Directions 2016), having read the introduction to the first edition (Miramax/Talk Books 2000), which is included in the reprint. …when we read a book, it is as if we were with a person. ![]()
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